Showing posts with label Tough Shift. Show all posts
Showing posts with label Tough Shift. Show all posts

Wednesday, June 22, 2016

Mac Wall In-A-Day: A Non-Birthday Challenge


(Photo: I'm getting ready to fire the roof on Star Action (5.10b). Photo by Andy.)

Over the past few years I've gotten to know the Mac Wall pretty well.

The wall is stacked with classic 5.10 climbs. For a long time I was intimidated by several of the routes, but as the years went by I eventually climbed all of them (except for Water King (5.10d R), which no one ever does). I'm most familiar with the hardest ones, since I had to work to get them clean. A few of them I've only done once or twice, and one of them-- MF Direct (5.10a)-- I've only followed.

Last year, after I finally sent Coexistence (5.10d) and Graveyard Shift (5.10d), it occurred to me that I might be ready to try to lead all of the tens at the Mac Wall in a single day. The challenge would involve these climbs:

Still Crazy After All These Years (5.10a)
Interstice (5.10b)
Mother's Day Party (5.10b)
MF Direct (5.10a)
Men at Arms (5.10b)
Try Again (5.10b)
Coexistence (5.10d)
Star Action (5.10b)
Graveyard Shift (5.10d) and
Tough Shift (5.10a).

Ten tens. It is quite a list! Some of them are hard for 5.10 and many of them have some serious moments.

I thought this would be a good challenge for me because while I believed it would be difficult, it didn't sound utterly crazy. I was inspired by the day on which those guys did 30 pitches of 5.10, but I needed a more realistic objective, something that seemed within the realm of the possible for ordinary humans like me.

Still, leading ten 5.10's was much more than I'd ever tried to do in a day. I didn't know if I'd be up to it. I could really be dogging it by the end. Maybe at some point I'd get exhausted and become too frightened to keep leading these hard climbs.

This wasn't a "birthday challenge," exactly. I wanted to do it when it was still cool out. My birthday is in June. But as 2016 got going I couldn't seem to find a time to do the challenge. As we got into June, I decided to call it a birthday challenge and just to go ahead and try to do it on my next day out.

Andy and I were planning to climb on one recent Sunday. The high was supposed to be around 80 degrees. This was not ideal but I figured it would have to do.

I asked Andy by email if he would be up for belaying me on my Mac Wall challenge.

Andy was an instant supporter.

"Challenge accepted," he wrote.

Here is my pitch-by-pitch account of our day:

1. Try Again (5.10b), 9:00 a.m.

It is already warm when we arrive at the cliff. I had hoped to start with MF, but we find it occupied. No big deal. We move over to Try Again (5.10b) and get ready to begin.

I decide it makes sense to start on the right side of the wall. I want to get the hardest climbs out of the way first, while I am still relatively fresh. And since Try Again and its neighbor Coex are popular, it seems like a good idea to get them done now, while they are open.

Racking up, I feel very nervous. I know I can do all of these routes individually. I worry that I will be overwhelmed by ten in a row. I have to be careful not to let myself get so tired that my judgment becomes impaired.

I'm not that concerned about sending them all. Of course I want to send as many as I can, but I know I have a good chance of falling on Coex and maybe Graveyard. They will be hard for me no matter how well I remember my beta.

I want to avoid falling to the extent possible, to avoid wasting both energy and time. The goal is to get through all ten routes.

Shaking off the jitters, I start up Try Again. It is hot in the sun but I feel good all the way up to the crux. Thinking that I remember my beta, I clip the pin and go for it.


(Photo: Andy at the crux of Try Again (5.10b).)

The crimps above the roof feel greasy in the heat. This roof is hard! I fumble trying to place my toe. I can't hang on and I fall.

I change my approach and "try again."

I fall again.

I had hoped to send this climb. But now I've fallen twice, right out of the starting gate. Maybe I'm not feeling so great today?

With new resolve I go back up and try my original beta again. Success! I am over the roof, where I find a nut placement, right in front of my face, that I've never noticed before. The thin step to the right after the roof feels much more secure with this nut in place. I'll have to file that away for future reference.

Andy cruises the pitch as the second.

2. Coexistence (5.10d), 9:50 a.m.

I've had a slow start, and I expect this second pitch to be the toughest of the day. But I think I remember what to do. I believe I can get the send on Coex. I know I can.


(Photo: I'm starting up Coexistence (5.10d). Photo by Andy.)

I'm still very anxious. Nevertheless I climb smoothly all the way up to the roof. I place my crux gear, clip one of the pins, and shake out. I think I'm in good shape. Once I feel rested, I commit to the moves.

But it just doesn't feel right. I can't make the move I've rehearsed in my mind. I step up and down, up and down. Something is off. I can't match my hands where I usually do it. Finally I take a hang. 

Failure number two. This is becoming a pattern. And I'm wasting precious time.


(Photo: I'm confronting the crux on Coex. Photo by Andy.)

What am I missing? Staring at the holds, I realize I've been grabbing the wrong feature with my left hand. I've become blinded by a faulty memory-- a slave to bad beta.

I sail over the roof. It feels easier than Try Again.

Grrrrrrrrrr. This was a missed opportunity. I really should have sent Coex.

Andy has never been on Coex before. He struggles a bit but ultimately gets the top rope on-sight.

3. Men at Arms (5.10b), 10:40 a.m.

I am expecting this one to go smoothly. It is one of the easiest tens at the Mac Wall. And this is a good thing because I do not intend to fall on Men at Arms. The gear sucks.


(Photo: Andy almost finished with Men at Arms (5.10b).)

It goes well. I really like the climbing on this route. But there are moves of 5.9-ish difficulty all over it that are above so-so placements. After the upper crux move (above a tiny nut) there is a significant runout before you can get a piece again. I am not happy to be so far above my gear. 

Whatever. It is over and done with. I finally have a send in the bank.

Andy follows the pitch with no issues.

4. Graveyard Shift (5.10d), 11:30 a.m.

This is the most tense moment of the day for me. As I prepare to start Graveyard Shift I realize that of all of the demanding climbing at Mac Wall, the thing that scares me the most is the initial 5.8/5.9 runout over a bulge on Graveyard Shift. I have never come close to falling here but I have found that my fear of this section never goes away. Staring up at it fills me with dread.


(Photo: Andy at the scary bulge on Graveyard Shift (5.10d).)

I swallow my emotions and start climbing. The bulge goes fine. But then I blow it once again at the well-protected crux. I forget about a drop-knee move that I usually do when I reach above the roof. I correct my footing mid-reach but I slip off just as my fingers are touching the hold.

I'm learning that it might be better to have no beta than to mindlessly try to execute the wrong beta.

I finish Graveyard feeling depressed. This day is not meeting my expectations. So far I am one for four. I am a bundle of nerves, sweaty, rushing, making lots of mistakes. Am I really going to soldier on through all ten climbs? I am officially sucking.

Andy follows the pitch cleanly.

5. Star Action (5.10b), 12:44 p.m.

Now that Coex and Graveyard Shift are behind me, it is like a great weight has been lifted off of my shoulders. I FINALLY relax. Star Action goes beautifully and I really enjoy it, more than I ever have before. I sail up the face to the roof, barely have to lunge for the good hold, and make the mental-crux move to the left with no worries. It feels great, and gives me a much-needed boost of confidence.


(Photo: That's me in the early going on Star Action (5.10b). Photo by Andy.)

I am amused to see Andy struggle, for once. He's done everything cleanly so far, and has previously led Star Action when the crux was wet! But this time he can't find the holds and ends up throwing wildly for the jug above the roof. Of course (Andy being Andy) he sticks the dyno, but it ain't pretty. It's easy to climb like that when you are on top rope! I'd like to see him try it that way on lead.

6. Tough Shift (5.10a), 1:25 p.m.

I'm not worried about Tough Shift at all. It has a reputation as a dangerous climb but I know the runouts are in relatively easy territory. I've done it before and I am certain it will be fine.

It goes perfectly. I carefully negotiate the tricky starting crack and then the runout upper face feels free and easy. It is a great pitch. This is actually my first complete send of Tough Shift. Last year when I led it I struggled in the opening crack.


(Photo: Andy about to move left onto the runout face at the end of Tough Shift (5.10a).)

Andy cleans it with little effort and we head to the left side of the wall.

7. MF Direct (5.10a R), 2:24 p.m.

I am cruising now. We are past the halfway point and I feel strong. The weather has changed. Clouds are rolling through, threatening rain but also bringing a pleasant, cool breeze.

I've never led this route before. But in the past when I've followed it I have checked out the gear, and I think I know what I want to place.

It goes down easily. I believe with my special gear beta the route is safe, and not R-rated at all. Here is the beta, if you want it: I get a purple C3 in a tiny vertical seam after the first hard move, and then a bomber blue Alien at the thin horizontal a couple of moves higher. After that it's just one more move to the chains.


(Photo: Andy on MF Direct (5.10a).)

Andy follows MF Direct quickly; it is our fastest pitch of the day.

I like MF Direct. It has a couple of big moves to great holds. It is casual, and barely 5.10. I think the original 5.9 version is more fun.

8. Mother's Day Party (5.10b), 3:00 p.m.

I feel like I'm floating now, everything is clicking. I love this pitch. It goes like clockwork. I place two pieces before each of the cruxes and then I fire them off. Great moves and two very different, interesting sequences.


(Photo: I'm just past the first crux on Mother's Day Party (5.10b). Photo by Andy.)

I would climb this pitch any time but to my mind it is actually the most R-rated pitch on the wall. At the first crux you are going to go splat on a ledge if you blow it. There is no avoiding it. And there is good pro for the start of the second crux but by the time you make the last big move to a jug, your gear is ten feet below your ankles. The fall would be huge. The climbing is relatively soft for 5.10b, in my opinion, so if you're solid then all is well. But this route is not to be undertaken lightly.


(Photo: Andy at the upper crux on Mother's Day Party.)

Andy takes his first and only fall of the day on Mother's Day Party, when he gets puzzled in the flakes at the first crux. Perhaps he's getting tired? He goes right back up and, grabbing the jug, curses himself. Hey, nobody's perfect.

9. Interstice (5.10b), 3:50 p.m.

The end is in sight. We are taking our time now. We pause to support a leader named Ryan who is taking his first run up MF (the 5.9 version). He sends! We cheer.


(Photo: Ryan on MF (5.9).)

The cliff has gone into the shade and conditions could not be better. I am loving life.

Interstice, like Mother's Day Party, has perfect rock and two interesting, very different cruxes. It is as good as any other route at the wall but I never see anyone leading it. It is thought to be somewhat run out but in my opinion it has just enough gear, exactly where you need it.


(Photo: Andy at the first crux on Interstice (5.10b).)

I climb the route without a problem, standing up carefully against the blank slab at the first crux, and quickly cranking through the second crux bulge after placing bomber tiny pro in the left-facing corner. The final moments heading up and left to the Birdie Party bolts are a little bit heady, but are probably no harder than 5.8. Not a concern. Such a good pitch, from start to finish.

Andy follows cleanly but remarks that it might be a challenging lead.

10. Still Crazy After All These Years (5.10a), 4:45 p.m.

We've reached our last route. I climb it joyfully, without a care in the world. I don't feel tired at all. There is one 5.8 move above the second horizontal where the pro (green Alien) is suspect. If you fall here and the piece blows, you will hit the ground. So it is important to climb with caution in the early going. Otherwise the gear on the route is great.


(Photo: I'm inspecting the holds at the start of Still Crazy After All These Years (5.10a). Photo by Andy.)

The last time I led this route I hesitated at the crux crimps but this time I dance right past them. It doesn't even feel like a crux. The route as a whole is quite nice, with consistent 5.8/5.9-ish face climbing similar to Higher Stannard (5.9-) and Birdie Party (P1 5.8+). Some of the holds are a little bit sandy. It is well worth doing.


(Photo: Andy bringing it home on our last route, Still Crazy After All These Years (5.10a).)

Andy likes the route too, says it feels pretty casual.

And that's it! We are done. We call it a wrap at 5:30 p.m.

*             *              *

In retrospect, I feel reasonably good about how the day went. I started off pretty shaky, and failed on some routes I should have sent. I might have done better if I had saved the hardest routes for later in the day, when they would have been in the shade. Heat and direct sunlight make such a huge difference. But if I'd saved the hardest climbs for later, I might not have been so relaxed on the easier tens, so who knows whether things would have actually gone any more smoothly.

On the positive side, I eventually settled down and sent seven 5.10's in one day-- six of them in a row, one after another. I've never done anything like that before. And I have to try to keep in mind that the whole idea of doing something like this is a sign of my improvement as a climber. The notion of doing this challenge would have seemed completely insane to me just a short time ago. Two years ago I thought I would never have the guts to try to lead Coex. Just last summer I felt the same way about Graveyard Shift and Tough Shift. So much has happened over the last year or so. I feel like a totally different person.

I was surprised at how strong I still felt at the end of the day. Andy felt fine too. As we walked out we started talking about trying to do twenty tens in a day, with each of us leading ten of them. I think the chief obstacle would not be endurance, but time. We would need a relatively long day and we'd have to make a concerted effort to go faster than we did at the Mac Wall.

I think it is possible for us. I do think it would be far less casual than our Mac Wall day, and might become something of a deathmarch by the end.

In other words: it sounds fun!

I am grateful to Andy for supporting me in this little project and sacrificing his day for my goals. I look forward to belaying him all day on a siege of twelve 5.12's or something. It could happen. We'll have to wait and see.

Thursday, November 19, 2015

Mac Wall Machinations: Interstice (P1 5.10b), Graveyard Shift (5.10d/5.11a), Men at Arms (5.10b), & Tough Shift (5.10a)


(Photo: The Trapps in early November.)

My office was closed for Election Day. It was one of those rare weekday climbing opportunities. The weather was going to be beautiful and Julia was looking for a partner.

Julia and I haven't climbed together much so I approached the day as a sort of bonus. I didn't have anything on the agenda.

After we warmed up a bit, we found ourselves at the Mac Wall, standing at the base of Something Interesting (5.7+). It was a weekday so there weren't too many people around. A party was racking up for the ever-popular Three Pines (5.3) but everything else was available, and it was my turn to lead.


(Photo: Julia on Something Interesting (5.7+).)

I've spent a lot of time at the Mac Wall over the last couple of years, but on most of my visits I've been focused on red-pointing just a few of the routes. It took me more than one attempt to nail Try Again, and it happened again with Coexistence. So there remained several routes that I hadn't explored. There were some that I'd top-roped but never led, and a few more routes on the wall that I'd never even touched, despite all of my days there.

I've been thinking lately that I want to fill in the gaps and send everything at this wall. Or at least, all the tens. Or maybe all the tens except for Water King (5.10d R)?

Standing there with Julia, I checked out the nearest 5.10: Interstice. The first pitch is 5.10b. I was on this climb once before, in 2013, with Deepak and Chin. On that occasion nobody led it. I set it up as a top rope from the Birdie Party bolts. I found it devilishly difficult to make the first crux move just ten feet off the ground. You have to stand up on a good foothold above a shallow roof to a balancy position with no handholds to speak of. I also remembered the upper crux as a tough move, cranking over a bulging, leaning corner to a thin stance.


(Photo: This is Chin at the first crux on Interstice (5.10b) in July of 2013. She's been waiting two years for me to write a post about it!)

At the time, two years ago, I didn't think I would ever lead this route. Both cruxes involve moving up past the gear and you have to keep it together above your pieces to complete the sequences.

But that was a long time ago. As I glanced over at Interstice on Election Day with Julia, it looked like good fun to me. I told Julia that I was feeling like leading it. As we talked about the route, I pronounced the name as "Inter-stiss."

One of the guys on Three Pines immediately piped up:

"I am a scientist, so I can tell you: it is pronounced 'In-TER-steh-see.'"

Who knew? I stood corrected (though the people at the Cambridge Dictionaries Online seem to disagree).

It is a clever name. The word means "the space between," which is a good description for a face route which ascends the blank nothingness between other obvious, natural lines.


(Photo: Fall colors at the Mac Wall.)

I racked up and got started. I was pleasantly surprised when I stepped right up into the first crux move and had no trouble standing up above the little rooflet. This was so different from my 2013 experience. Right after this stand-up sequence there is another thin, delicate move up. You really want some gear for this move-- you are still so close to the ground. I managed to get a small Alien in a little v-notch. It seemed like it would hold.

Once I was through these early moves I found pleasant climbing past a shallow left-facing corner and then it was time for the upper crux. I placed the highest gear I could manage in the bulging corner. Then I committed to moving up. It took a little bit of work to get the move right, but I managed to hold on just fine and to get out onto the face, where after one more easy-does-it step up I was relieved to get another small cam in a tiny downward-facing slot.


(Photo: At the upper crux on Interstice (5.10b) in 2013. Photo by Chin.)

I loved Interstice. It has the same excellent rock quality as the other more well-known climbs on this part of the wall, and two excellent, interesting crux sequences. It doesn't get much attention, but I think it is one of the best of the tens on the Mac Wall. And while it is mentally challenging, requiring moves above gear, I believe it is a safe lead. Bring small cams. I used Julia's C3's in addition to my Aliens.


(Photo: Julia on Star Action (5.10b).)

After we were done with Interstice, Julia went hard at Star Action (5.10b), a climb with which I've become quite familiar over the past year or two.

While I stood there belaying Julia I couldn't take my eyes off of Graveyard Shift (5.10d or 5.11a, depending on who you believe). It was another climb I'd tried once on top rope, this past July. I'd gotten it clean on the first try, which was nice.

This is the most feared hard 5.10 on the Mac Wall. Near the start it has some scary, run-out 5.8 climbing over a bulge. And above, at the crux, you go over a small roof with great gear but then you have to make a few more hard moves before you can place anything else. This hard part isn't dangerously run out but I expected it to be very committing.

I decided to go for it. I'd felt so good on Interstice. Again I took Julia's C3's.

I got through the scary 5.8 part just fine and once the run-out section was done I was pretty happy with my pro as I moved delicately up the face to the crux roof. I worked in a few more pieces at the overhang and after shaking out for a while, I went for it.

Alas, I didn't make it. I got above the roof but then I couldn't find a way to stand up. I fell. Then I tried and fell again, and again and again, coming off each time with my feet just above the level of my gear.

With every fall I had to psych myself up to go back above that roof again.

Why was this so much easier on top rope?

Finally I realized I was totally missing a crucial handhold. Once I found it I figured out the sequence and finished the route.

When it was over I was a little bit disappointed that I'd had such a tough time at the crux and that it had turned into such an epic struggle. I wished I'd read the route better. But, on the other hand, I was overjoyed that I'd just led Graveyard Shift, because it meant that OH MY GOD, I AM CAPABLE OF LEADING GRAVEYARD SHIFT.

A year ago I would not have believed that this was possible.


(Photo: Julia approaching the crux roof on Graveyard Shift (5.10d/5.11a).)

As we left the cliff I hoped that the weather would hold out so I could come back soon. I had to return to get the send. A successful lead of Graveyard Shift would really put an exclamation point on the year.

As luck would have it, we had some unseasonably warm temperatures into mid-November. I got back up to the Gunks with Andy on Sunday the 15th, and we went right back to the Mac Wall.

I was debating whether to hop on Graveyard Shift to start our day but there was a party already on it. This was fine by me. I could fill the time by doing the rest of the Mac Wall routes I hadn't led.

I started us off with Men At Arms, which was totally new to me. This climb is supposedly 5.10b. It starts at the same corner as Try Again and then heads left and wanders up the face, past the right side of a big overhang. From below it looks like nothing much. The face appears dirty in places and it is hard to tell where you'll be going.

It went well enough, but the climbing is thin and the gear is spaced and consistently small/fiddly. It seemed like I was stepping above marginal gear to do cruxy moves in the 5.8/5.9 range over and over again.


(Photo: Andy on Men at Arms (5.10b).)

I never found any 5.10 on Men At Arms. Maybe I skipped it? The route wanders a bit and I may have moved right and then left to avoid the "direct" crux climbing. If I'm right about where the direct climbing is, then it doesn't get done much. It is covered in moss.

Also I did the route in one pitch, climbing up until I could traverse over to the Try Again anchor. Doing the climb as one pitch makes for a nice outing of consistent 5.9 climbing-- it is also the way the Trapps App and some users on Mountain Project recommend doing the route. In Dick's book he says you should stop and build a belay at a stance where I wasn't happy with the gear.

I enjoyed Men At Arms, but this route is heady, and very different from all the other Mac Wall climbs. I'm not sure I should admit this, but I have really come to enjoy this type of climbing: thin 5.9 face climbing with marginal gear. I don't know why, but I like the mental challenge. If this type of climbing isn't your bag then you might want to stay away from Men At Arms.

Late in the day I saw someone else on Men At Arms. It was funny: I'd never before seen anyone on this route and then on the same day I decided to finally do it, another person had the same idea. I saw this leader get a little bit lost and then he took a fall. He ripped three pieces, eventually falling thirty feet! He finally came to a stop about fifteen feet off the ground. Luckily it all worked out okay, but it was a close one. I don't know what this says about the route, but please be careful out there, folks.


(Photo: That's me, getting gear for the crux on Graveyard Shift (5.10d/5.11a). Photo by Andy.)

After Andy put up Higher Stannard Direct (5.9), we went back over to Graveyard Shift.

I tried really hard but I felt nervous. The scary 5.8 part seemed scarier the second time around. The handholds were slippery and the footholds seemed very very small. Nevertheless I made it up to the roof, got my gear in place and tried my best to get over it. As I stood up to reach for the undercling hold above the roof-- the last hard move-- I realized, to my dismay, that I'd misplaced my feet. I wasn't set up right. I couldn't release my right hand and I couldn't fix my feet. I fell, cursing.

After a rest I went back up and sailed over the crux, furious that I'd blown it because of a single toe placement. I'll have to go back and try again.

Once we were done with Graveyard, I took a long look at the climb next door: Tough Shift (5.10a).

This was it: the last Mac Wall 5.10; the only one that I'd never tried.

The final frontier.

I'd racked up for Tough Shift once before, back in July, but on that day after checking out the start I decided I wasn't feeling it, and walked away. Though Tough Shift is far from the hardest of the tens on the Mac Wall, it is one of the more frightening leads in the area. It has a reputation for having lots of run-out climbing. In the guidebook, Dick says that Tough Shift is "not for the meek." I'd never seen anyone dare to lead it. It seems that most people are scared away by the orange face at the top, across which you do a rising traverse with no gear until you reach the big overhang. If you mess up here on this upper face you risk a swinging, sideways fall onto an old piton.

Standing there with Andy I felt ready. This was my favorite type of climbing, right? Anyway, I'd just led Graveyard Shift, which had to be more scary than this, surely.


(Photo: Trying to figure out the opening crack on Tough Shift (5.10a). Photo by Debra Beattie.)

Getting started, I had a bit of trouble working out the move to get established in the vertical crack at the bottom of the face. There are great nuts here, so it wasn't a big worry. And it turned out that getting established in this crack is the only 5.10 climbing on the route. Once I finally worked out this move it was smooth sailing up the crack to a ledge where a right-facing corner begins.

If you ever decide to lead Tough Shift, I advise you to get gear as high as you can when you are standing at the base of this corner, because there is no more gear until you are almost level with the piton at the upper crux. The climbing here through the middle is very run out, worse than the at the top of the pitch, though the climbing is also easier. There was little risk that I would fall but there was no question that a fall in this part of the route would have been bad.


(Photo: Andy resembling a rock ninja in the opening crack on Tough Shift (5.10a).)

Once I got through it and clipped the pin I spent quite a while at the top of the corner, contemplating the exit. I could see where I had to go but it took several trips up and down before I committed to moving left and putting myself out there. I backed up the pin by making another move up past it, placing a good nut in the crack at the roof atop the corner, and then stepping back down.

When I finally reached for the jug out left, it went fine. The move to the jug, and the next interesting move afterwards, are reasonably well-protected, I think. Then it gets into more risky territory as you keep climbing up but I felt with each successive move it got easier until I was level with the roof, where I could exhale and put in a bomber blue Camalot. The rest of the way was all gravy, moving further left to go over the roof above Graveyard Shift.


(Photo: Andy about to embark on the upper face portion of Tough Shift (5.10a).)

I liked Tough Shift and I would do it again. There is great climbing up the initial crack and on the orange face up high. The route has significant runouts, but they are in relatively easy territory. Because the unprotected climbing is pretty straightforward I think Tough Shift is less mentally challenging than either Men At Arms or Graveyard Shift. I expect others might disagree with me on this. All three of these climbs are serious, to some degree.

After we finished with Tough Shift, Andy was looking for a ten to lead and since we were standing right there I sent him up Star Action. As I've mentioned before, Andy is a very strong climber but his background contains more sport than trad climbing. He seemed nervous through the middle of the pitch, where there is gear to be had but it is a little bit tricky to place. At the crux, by contrast, he made the big reach over the roof look like child's play. As soon as he gets used to the sporty pro at the Gunks he's going to be unstoppable. I won't be able to keep up with him.

At the end of the day, I was a little bit sad that I couldn't say I'd capped the year off with a send of Graveyard Shift. But it will come, maybe this year, maybe next year. And now, after two days' work, I can say that I've done all of the Mac Wall tens. I still haven't led MF Direct (5.10a R), but I top-roped it easily earlier this year and I think I'm ready to lead it now. (I also have not done the roof pitches on the three tens that are just to the left of MF.)

The next-level challenge that I am mulling over is to lead them all, from left to right, in a day! This would involve:

Still Crazy After All These Years (5.10a)
Interstice (5.10b; 5.10d if you include the pitch two roof)
Mother's Day Party (5.10b)
MF Direct (5.10a; 5.10b if you tack on the Birdie Party roof)
Men At Arms (5.10b but not really)
Try Again (5.10b)
Coexistence (5.10d)
Star Action (5.10b)
Graveyard Shift (5.10d/5.11a) and
Tough Shift (5.10a)

A worthy project for next year? When the days get longer I may give it a try.

Monday, July 20, 2015

June Rain + July Heat = Summer Sendage!


(Photo: That's me leading Le Teton (5.9?) on a hot July afternoon. Photo by Adam.)

June was the cruelest month.

Maybe not for everyone else. I'm sure there were many beautiful days. But I seemed to have a knack for picking the wrong days in June this year.

On my last trip out to the Gunks with Olivier, it rained in the middle of our day for about an hour. We still got to do some great climbing before the storm, so I wasn't complaining.

But on my next two planned weekend climbing days, I was rained out completely.

After that, I'm pretty sure I started complaining.

Things were getting desperate in a hurry. I had to do something.

I made a plan to take a day off of work on a Tuesday to climb with Emma. This was supposed to be a beautiful day and I drove up to the Gunks with great expectations. But we only did one climb before a cloud settled over New Paltz and started dumping rain on the cliffs! At first we ignored the mist, but as it started to really come down we went into town to wait it out and have lunch. I checked the radar and the whole region was clear, save for this one dark cloud sitting directly over New Paltz. It had to pass soon, right?

When it didn't let up after more than two hours we decided finally to call it off.

I wasted a vacation day for one pitch. That sucked.

I had to put it behind me and hope July would be better.

Adam and I were heading up to the Gunks on a hot and sweaty Saturday early in July. It was expected to be close to 90 degrees. I figured we should avoid my project, Coexistence (5.10d) (much as I wanted to jump on it), as it was sure to be baking in the sun.

I tried to be grateful that it was supposed to be a sunny day, whatever the temperature. Forget projects: we didn't have to do anything really hard. We could just have fun out there on easier stuff until we wilted from the heat.

I suggested we try Traverse of the Clods (5.9), which Adam and I had discussed before. The route starts from the GT Ledge in the same area as Hans' Puss (5.7). Adam was down with the plan. But first we needed to do some other climb in order to get up to the GT Ledge.

Recently I'd read on Mountain Project about the 5.8 first pitch of Man's Quest for Flight. (The top pitch is 5.11a). The climb is not popular. I was interested in checking it out, mostly because this pitch sits next to some of my favorite climbs, like Silhouette (5.7+) and Proctoscope (5.9+).

In the past when I've looked at the first pitch of Man's Quest it has seemed kind of dirty and uninspiring, and I've ended up walking away. But when I read a recent positive comment about the climb on Mountain Project it was enough to pique my curiosity about the route again.

I led the pitch. It begins beneath the huge corner ascended by Andrew (5.4). In the guidebook Dick Williams describes two different starts. If you diagonal up the left wall of the corner right away there are some steep 5.8 moves. Alternatively, you can move up the Andrew corner just a little bit and then head left at 5.6. I chose to do the 5.6 start because I found gear that way. It was steep and fun, although I had to fight past a small bush to get started.


(Photo: Adam on the slightly grungy Man's Quest For Flight (Pitch 1 5.8).)

Once I got around the outside arete and onto the face it was easy to find the route; you just have to stay between Silhouette and the corner. It isn't bad. There is a nice 5.7/5.8 cruxy sequence up through a bulge in orange rock. But it is a little bit dirty, and it is always difficult to resist the temptation to move a few feet left to Silhouette's beautiful, clean crack system.

If this route got some more traffic it might get cleaned up and become a fine climb. But even if it were cleaner I'd still say Man's Quest is nothing special.

Now that we were on the GT Ledge it was time for us to climb Traverse of the Clods.


(Photo: I'm leading Traverse of the Clods (5.9). I'm just starting to traverse to the right after clearing two small overhangs. Photo by Adam.)

This is an interesting and intimidating route. In the guidebook it is described as two pitches. The first pitch (5.8) starts out heading more or less straight up, but soon enough you embark on a 50-foot traverse to the right, which ends at a hanging belay in beautiful white rock amidst the the roofs of Twilight Zone.


(Photo: Adam starting up Traverse of the Clods (5.9).)

The second pitch is short, but it is the crux. You move up over a small overhang and then do another traverse to the right, following a little foot ledge until it ends, and then doing a thin 5.9 sequence to reach a jug. From the jug you exit straight up over a notched roof to the top.

I found the first pitch to be a bit necky and route finding was sometimes a challenge. Please avoid the death block that is just sitting on a shelf with a piton driven beneath it! That thing is freaky.

Once you wander up and past two overhangs and start traversing the moves are very nice and the rock is great. I always found myself wishing I could find a little more gear but it wasn't a horror show. The crux for me was at a point about a halfway across the traverse where I had to make a delicate step down to continue. Once I was through this move I was relieved to see that the hanging belay wasn't too much further.


(Photo: Adam confronting the crux step-down move on the first pitch of Traverse of the Clods (5.9).)

I was feeling mentally fried by the time I finished pitch one, and as Adam tiptoed his way over to me I seriously considered bailing on pitch two. It is easy to escape the route from the hanging belay. You can go straight up instead of continuing the traverse. It is only 5.6 to the top if you go this way. But after a little prodding from Adam I went ahead and led pitch two and it turned out to be very exciting and worthwhile. A couple of thin moves over a big void will get you through it. The gear for the crux is tiny-- I had a black Alien, a small sideways nut, and a blue Alien in the little tips crack at the back of the roof. It was hard to tell if any of this gear was actually solid. I later read that Dick Williams recommends Ballnutz.

After Traverse of the Clods was in the bank I didn't have much ambition left. I was already spent. Luckily Adam had a whole list of classics he was eager to lead and since it was so hot we didn't have too many other parties to contend with. We spent the rest of our day on a parade of three-star climbs, knocking off the upper pitches of Annie Oh! (5.8) and Three Doves (5.8+), as well as both pitches of Modern Times (5.8+) and Bonnie's Roof (5.9). These were all on-sight leads for Adam, except for Modern Times, which I led. (I had to step up and lead something at some point.)

Looking back, this was a pretty amazing, fifteen star day.


(Photo: Adam at the classic photo op on pitch two of Bonnie's Roof (5.9).)

This past Saturday Adam and I got out again. It appeared we might be wasting our time. Rain was predicted for the afternoon. We hoped it would hold off long enough for us to at least do a few pitches.

As we drove up from NYC things looked very bad for us. It rained almost the whole way up. Adam kept checking the weather on his phone, insisting that in New Paltz it was not raining. I told myself that the fact that it was raining in Sloatsburg didn't mean a thing-- it is always raining in Sloatsburg! I'd had good luck with this sort of gamble before. But while externally I tried to project confidence, I was dying inside. I felt that we were sure to be shut out. There was no way this rain wasn't hitting the cliffs. The feeling grew stronger as we drove on and the rain did not let up. It was still raining as we left the Plattekill rest stop, just a few miles south of Exit 18.

At 9:00 a.m., my wife sent me an email telling me that it was pouring in the city and asking if we were still going climbing.

Against all odds, we were.

We pulled into town to see a band of fog hanging over the cliffs. But, miracle of miracles, it wasn't raining in New Paltz. The streets were dry. We were in business. And as we drove into the Stairmaster lot I took a look at my dashboard and saw that the temperature outside was a mere 68 degrees.

This was sending weather, my friends.

We probably wouldn't see such favorable conditions again until mid-September.

Time was of the essence. It could rain at any moment. We gathered our stuff and marched up the steps, heading directly to the base of Coex.

I realized something recently about my struggle with this climb. It occurred to me that every time I've done the route I've ended up finishing it the same way. But even though I know what to do, I still find it hard to execute, and it feels like I'm on the verge of popping off when I try it. The feeling that I'm about to fall makes me stop, hang, and look for other options. But ultimately I fail to find a better way and I come back to square one and commit to the one way I know that works for me.

This time I said NO MORE. I vowed to stick to my beta and commit to it on the first try. I told myself that if I could just keep going, keep moving my feet up, no matter how bad the holds felt, I would get through it. Maybe.


(Photo: That's me at the crux on Coexistence, once again (5.10d). Photo by Adam.)

I got up to the roof, feeling pretty solid. I placed my crux gear. I stepped up and clipped one of the pins. I stepped back down to shake out. I got myself mentally prepared. Then I announced I was going for it.

Hitting the good rail with my hands, I set my feet right where I wanted them. Then I grabbed the crappy left handhold. It felt a little bit slimy in the fog, but I held on. I reached for the shitty sidepull with my right hand, barely catching it.

"These holds are terrible," I thought, as I always do. "I'm about to slip off."

I drove these thoughts from my mind with one command: "Foot up foot up foot up! Get the right foot up! Keep going!"

I stepped up and-- lo and behold-- the sidepull improved, as it always does. And then in an instant I had the jug in my left hand and it was over. Success: a clean lead of Coex.

It took me only four tries.


(Photo: Getting ready to fire the crux on Star Action (5.10b). Photo by Adam.)

Some friends of ours from the gym, Alec and Liz, showed up just as I was finishing Coex. A few minutes later Josh and Tiff (who I met through Gail) also appeared. It was turning into a private party at the Mac Wall, all of us overjoyed that we were actually getting to climb.

I was feeling great after our first pitch, so once Adam finished with Coex, I led Star Action (5.10b), getting the redpoint without much trouble. I struggled on this route the first time I tried it last year-- and I wasn't even sure I wanted to go back, as I found it a little bit heady-- so I was very pleased that it felt pretty straightforward this time around. If you want to get solid at 5.10b, I've found the secret: start flailing away on 5.10d. It really helps.

The crux of Star Action is awesome. The move up to the jug over the roof is hard, and the step left to the corner afterwards takes willpower and technique. But in my opinion the route is all about that crux roof. The rest of the climb is less interesting. I can't say it's one of my favorites.

Since we were there on the right side of the Mac Wall we decided to throw a top rope over Graveyard Shift (5.10d/5.11a), another testpiece 5.10d which many say should be a 5.11. I thought maybe it could be the next project for me. But several people have cautioned me about the gear being all small stuff and hard to place, so I thought it might be wise to give it a top rope preview. I'd never been on it before.

I got the coveted top rope flash but it was tough going all the way. It is a great pitch, with steep moves up a crack over a bulge, then some thin steps up the face to a little roof, which is followed by a burly sequence to get over it. There is not much in the way of stances. I think this would be a demanding lead for me.

After Adam and I were done with Graveyard Shift we watched Alec go for it on the sharp end.


(Photo: Alec leading Graveyard Shift (5.10d/5.11a). He's heading into the steep little bulge that presents the route's first crux.)

Alec told us he's been rehearsing for this one and you could tell; he was smooth as silk as he calmly led the pitch. He placed a lot of gear too, but it was all small, fiddly stuff. I'd like to get to his level on Graveyard Shift, some day. But I think my next project will be some other 5.11 with a shorter crux like The Stand or one of the Voids.

Our day was turning into an avalanche of hard climbs. The expected rain still hadn't materialized; in fact, the fog had lifted and now the sun was out. It was growing hotter by the minute.

Adam still hadn't had the chance to lead anything. He decided to do Birdie Party (Pitch 1 5.8+), including the long traverse over the flake to the MF bolts. He did a fine job on this on-sight lead, although he got a little bit lost on the traverse and wandered up to the Birdie Party pitch two roof before stepping down to the bolted anchor. He sorted it all out, though. It remains a great 5.8, with consistent thoughtful climbing.


(Photo: Adam on Birdie Party (Pitch 1 5.8+).)

I considered one more Mac Wall 5.10: Tough Shift (5.10a). I even started climbing it, but in the crux crack near the bottom I decided I wasn't feeling it any more. It was now sunny and rather hot. Things had gone so well. I didn't want to push too hard. After checking out the move a few times I decided to climb down and walk away. I'll attack it when I'm fresh, some other time.

Much better to do a scary 5.9!

I decided to lead Land's End, a notorious sandbag. Dick Williams gives it a rating of 5.9- G in his guidebook, but many people think it is harder than that and everyone agrees it has a significant runout past some very shaky flakes. Sounds good, right? I've always wanted to check it out.


(Photo: Adam following Land's End (5.9-).)

As I led the route I had to agree with the grumblers. It felt like a solid 5.9 to me, with steep moves over the initial roof and then a strenuous, awkward undercling traverse at the upper crux. In between the cruxes the route is quite run out. And there is loose rock all over the place, not just at the fragile flakes. I can't recommend this climb. It is dangerous.

And yet.....

This short pitch has a ton of fun climbing on it. I'm just saying.


(Photo: I came within inches of stepping on this four-foot snake as we walked over to the Guide's Wall from Land's End.)

It was now mid-afternoon and we had no plans. We walked down the cliff, looking for a climb for Adam to lead. I was ready to dial it back and do something easy. I half-heartedly suggested Hawk (5.4), but we kept walking.

As we passed the Madame G buttress we saw that Le Teton (5.9) was in the shade. Suddenly I got excited again. It was irresistible to me.

Adam led quickly up Northern Pillar (5.2) to the pedestal at the start.

I followed Le Teton once before, in 2011, but I never wrote about it. I remembered it as pretty tough for the first fifteen or twenty feet. The route is on you from the first moment you step onto the wall. The feet are thin as you work your way up an overhanging crack on the face to a juggy traverse. Once you get out to the arete it's all air beneath you and easy steepness to the top of the Madame G buttress. The route is challenging and thrilling, but when it's all over you wish it were a little bit longer. You want those jugs to go on forever.


(Photo: Adrian in the finishing jugs on Le Teton (5.9) in 2011.)

Ever since 2011 I've wanted to lead it. I never made it a priority because I've always been a little bit intimidated by those tough opening moves.

But not this year.

This year I knew it would be fine. And I think that's the difference between this year and all previous years, for me. It is mental more than physical. I'm sure I could have climbed better when I led Le Teton this past Saturday. I was tired and it was hot. I fumbled in the vertical crack. I failed to clip the fixed nut. I threw in a desperate cam and then hucked for the jugs.

But through it all I knew I wasn't going to let go and that all was right with the world. As I reached the arete and took in the fantastic exposure I thought of Le Teton as a metaphor this whole year. It has been a great ride so far with one highlight after another. I want to keep pushing further but I know soon I'll reach a barrier I can't pass-- I'll get shut down by a project, or the season will end with no further progress-- and then I'll look back and think the ride was great but that it ended too soon.

I want the jugs to go on forever.