Wednesday, December 26, 2012

Good Times in Never Never Land (5.10a), Battling the Balrog (5.10b), and more!

(Photo: Making the first crux move just off the deck on Absurdland (5.8).)

The day after Thanksgiving is often a great day in the Gunks. The weather is frequently cooperative, and the cliffs are always pretty empty.

This year we had a great time, climbing in shirtsleeves and light jackets, although it was a bit chilly when we first set out. Gail and I climbed in a party of three with Julia, a friend of Gail's with whom I hadn't climbed before. During the drive up, I found out that Julia is a lot like me, working through all the classic 5.9's in the Gunks and setting her sights on the 5.10's.  

I knew this might well be my last day of climbing in 2012, so I hoped to get on at least one 5.10.

But first we had to find a good warm-up climb. I suggested Absurdland (5.8), a great single-pitch route I hadn't been on in 2012. I had taken a brief hang at the second crux way back in 2009 when I led the climb onsight, and didn't go back until 2011, when I easily followed Maryana up it. I really enjoyed it last year and wanted to go back to send it on lead, which I was confident was well within my abilities nowadays.

The climb reminds me of the first pitch of Son of Easy O (5.8). In both climbs the first 20 feet contain steep, somewhat thin moves up a crack, and then both climbs ease off to beautiful, lower-angled face climbing. On Absurdland the two crux moves come pretty fast off the ground. Both moves are well-protected and maybe a little stiff for 5.8. (The climb has at times been rated an easy 5.9.)

I had no trouble with the cruxes this time around, though I could see why I took that hang back in 2009. The second crux is pumpy and if you aren't confident enough to move right away it is difficult to arrange a rest stance there. There is good pro right at your chin so my advice is that you just go for it! After that move it's all gravy.

(Photo: Julia starting up Gory Thumb (5.9).)

Absurdland ended up setting the agenda for the rest of the day. Everything else we did was nearby.

Julia picked Gory Thumb (5.9) for her first lead. I was glad she selected it because I'd never done it before. I had looked at it and rejected it because it seemed like a squeezed-in route (next to Raunchy and Wild Horses) without too much too offer. I thought the crux thin crack on the white face about 40 feet up would be over in one move, and that the rest of the climb would be a waste of time. Also I was concerned about the pro down low.

But Julia found a really good nut right after the start. (I struggled to remove it.) And I ended up enjoying the pitch. The initial moves are much easier than 5.9 but they are interesting. Up above, the crux is good and well-protected with small wires. You can finish as Julia did by continuing straight up above the crack to an easy fault, or you can contrive to prolong the real climbing by stepping left and making a couple of slab moves up to the ledge, which is what I did (at Gail's suggestion) as the second. Nice pitch. Maybe a touch easy for 5.9? Swain has it as 5.8+.

(Photo:  Thin moves right from the jump on Never Never Land (5.10a).)

After Gory Thumb it was my turn to lead again and I knew exactly what I wanted to do. My objective was so close, drawing me like a magnet.

Balrog! Balrog! Balrog!

This climb has been on my list all year, which might seem strange because no one thinks it is an "easy" 5.10. At 5.10b many call it a sandbag. The crux is very unusual, featuring a hanging, sloping corner. You have to find a way to reach up to the holds high in the corner (which plays out like a roof problem), and then find some way to get yourself onto the odd, sloping left wall of the corner. But even though this crux is challenging, it is short, and there is an awesome horizontal crack-- it resembles a mail slot-- for pro right at the crux roof. It is a clean fall into the air if you fail. I figured that even if the crux was too hard for me to onsight I should be able to protect it well.  

Why not go for it?

I dispensed with the easy early climbing quickly, placing very little gear. Then I found myself at a slab beneath the looming roof. In this slab was a perfect thin vertical seam. Up close, the crux roof looked much scarier than it did from the trail. There was a great-looking undercling hold in the roof and from there I figured I could reach the mail slot on the left side of the hanging corner and throw in a piece. But if I was wrong and fell reaching for the slot I might tumble awkwardly down the slab. I hesitated quite a bit, placing a nut in the seam, then thinking about the move, and then repeating the whole process.

I ended up placing four (!) nuts in the slab before I finally went for it.

I needn't have worried so much about reaching the mail slot. That part turned out to be no problem.  

But I struggled with the crux reach afterward, taking a few hangs before I figured the whole thing out. I had great gear. Ultimately I had two cams in the mail slot, a purple Camalot that was solid if a little shallow and a bombproof red Totem Basic (Alien clone). If you place two cams as I did, make sure to leave some room for your hand and a later toe!

(Photo:  Julia on Never Never Land (5.10a), before the crux.)

I was disappointed that I didn't onsight Balrog, but I'm pretty sure I can redpoint it in 2013, so long as I nail the reach after the mail slot to the great hold up in the corner. There is no magic to this reach, you just need the confidence that comes from knowing how bomber the hold is. The subsequent move to the left wall is strenuous, but I think I have it all worked out. I will not spell it all out but I will tell you the secret to my beta:

Sometimes, grasshopper, it is better to push than to pull. 

I'm not sure but I suspect I might be doing Balrog the hard way. Dick Williams says in his guidebook that the climb is especially rewarding if you can figure out the easier way to do it. After I got back down, Julia struggled with Balrog much as I did, and then Gail schooled the both of us by sailing up it like it was nothing.  I was belaying and couldn't quite tell what she did, but it looked very different from my solution. If you are searching for the especially rewarding easy way to do it I'd suggest you reach out to Gail.  She knows.  

Note:  If you are heading up Balrog in the near future, bring some new webbing. The two pieces of webbing that were tied to the belay tree there in late November 2012 were both feeling pretty brittle. We went ahead and used the station but in retrospect I wish we'd replaced the webbing.  

(Photo:  More of Never Never Land (5.10a), juuust beneath the crux.)

Julia was pissed off about Balrog, and she was on a mission for redemption. She decided to get it by leading Never Never Land (5.10a).

This was her first 5.10 lead and I was honored to witness it. Although Never Never Land has an easier rating than Balrog, I think Never Never Land is a much headier lead, with spaced pro and far more sustained climbing.  

Gail and Maryana have been pushing me to lead Never Never Land, but I have resisted, both because this kind of thin face climbing isn't my favorite thing and also because in the summer of 2011 I toproped it with Gail and (to my enduring shame) I couldn't do the crux move AT ALL. It was a very hot, slimy day, and at the time, in those conditions, I couldn't imagine doing the move cleanly. The crux crimpers were so greasy, the footholds nonexistent. On that day I fell several times and then gave up, French-freeing the move by pulling on the draw at the bolt.    

This time around I was excited to follow Julia up Never Never Land so I could check it out in better conditions without having to lead the climb. I'm afraid that watching her did not make me want to jump on the sharp end.  There is a repeated pattern of hard moves above gear that lead to the stances where one can get pro. A fall at any one of these difficult moves would not be horrible, but would send you for a ride. There are one or two such moves before the crux. Then the crux move just after the bolt is well-protected, but you have to run it out to the piton at the next horizontal, which is quite a ways away. Right before the piton is another hard move. After the piton it eases off a touch and the final moves have better pro but it isn't easy by any stretch. The thin face moves continue all the way to the chain anchors.

(Photo:  Julia just past the crux of Never Never Land (5.10a). Big crimpin'! Way to go!)

Julia did a great job, handling the whole thing with a calm intensity. There were some tense moments, but she made it to the top without a fall, elated. When it was my turn, I was pleased to send it on toprope. Still I worry about leading it, as there are at least three places where I can see myself falling off if things don't go just right. Whether on lead or on toprope, I should really do more of this type of thin face climbing. All the way up I kept telling myself (and others!) that I hated the climb, but by the time I reached the chains I had to admit I loved it just a little.

We ended our day with a warm-down. I led Cakewalk (5.7), another nearby classic that usually sees action only on its first pitch, which ends at a bolted chain anchor. On my last and only previous trip up Cakewalk I'd gotten lost and wandered into some much more difficult and poorly-protected climbing, from which I'd thankfully emerged unscathed. This time I made sure to go left immediately after the tree and it was nothing but joy. Some nice face climbing wanders up to the obvious, huge right-facing corner. Dick describes the first part of the pitch as a little run out but I found plenty of pro. Then the burly moves up the corner were great fun. Before I knew it I'd reached the chains. The climb, like 2012, was over much too soon.

Thursday, December 6, 2012

Gunks Routes: Grim-Ace Face (5.9+)

When I met up with Marat to climb on Veterans Day, I had to face facts. The season would soon be over.

2012 had been a good year. I kept trying the odd 5.10 here and there, and sometimes I succeeded. And over the course of the year I managed to hit most of the high-quality 5.9's in the Gunks that I'd previously missed.

As I drove up to meet Marat, I had in mind a 5.9 with a three-star rating but a reputation for runouts and loose rock: Grim-Ace Face (5.9+). Because of its fearsome reputation I'd previously been too intimidated to try the route.  I was also reluctant because the third, crux pitch carried that dreaded plus sign after the grade. 5.9+ is a notorious, feared grade in the Gunks. My luck on previous attempts at 5.9+ had been decidedly mixed.

But here we were, late in the year, and I was feeling pretty solid on every 5.9 I tried. It seemed like the pro would be good for the crux pitch.  The guidebook said there was a piton at the roof, and I hadn't heard any rumors of poor pro there.  There were reputed to be runouts on Grim-Ace Face, as I mentioned above, but these were supposed to be on the first pitch, which is 5.8. I figured we could take a look and if the climbing looked reasonable we could do it. I could always abandon the first pitch if it seemed too hairy, and if I wanted to chicken out of the 5.9+ roof on pitch three we could just rap or find a different route on which to finish.

Marat had never done the route either.  He was game to check it out.

We strolled over from the parking lot to give it a look-see. It was hard to tell what to make of the pitch from below. The route sits just to the right of the more popular routes Strictly From Nowhere (5.7) and Shockley's Ceiling (5.6).  Looking it over, I saw no obvious line, but I thought I could make out the crux bulge described in Dick Williams' guidebook, as well as the block above that he suggests you sling for pro. The climbing didn't look bad, and Dick's statement that the pitch is "necky, but not at the crux" gave me some comfort. I figured the runout bit would be a good deal easier than 5.8.

I decided to do it.

The first pitch was a little tense for me. The 5.8 crux comes early, and you get good pro right where you pull over the steep bit. Then you get no placements for quite a while, and the climbing isn't really so much easier than the crux. I thought it was around 5.7. After a few moves without pro I got to the block mentioned by Dick, but I couldn't find a way to sling it securely. I had a triple sling on my harness but the left side of the block is embedded in the dirt, so I couldn't sling the whole thing. I used a single sling instead, putting it around just the right side of the block. The sling was held in place by a protruding pebble. I didn't like it at all, but it was the best pro I could manage.

After one more 5.7-ish move there was bomber pro to the left.  If I'd blown that move and the sling popped off the block, I would have gone for a pretty good ride.  I wouldn't have hit the ground but I would have hit something.  Luckily I did not blow the move and after that it was smooth sailing to the ledge.

In retrospect I think this pitch has some nice face climbing, but nothing spectacular.  Most of the excitement it offers comes from the runout.  I don't know that I would do this pitch again.  Maybe you can do a better job slinging that block than I did, in which case the pitch still has some moves above pro but there isn't anything to get overly worried about.

It was clear where to go for pitch two.  I placed a directional and moved to the right once I reached the ledge, setting up the belay below the obvious roof with a fixed cam beneath it.  This was Marat's lead, and as he set off I reminded him that people describe this pitch as having a lot of loose rock on it.  He cruised it, pulling right over the roof and quickly progressing to the GT Ledge.

I really enjoyed climbing this pitch as the second.  It is rated 5.8+ but I thought the roof was a little stiff for that grade.  It has an unusual move, harder I think than the 5.9- roof on the Blackout or the supposed 5.9 roof on the direct finish to Birdland, just to name two points of comparison.  And then after the roof there are a few more steep moves before it becomes casual again.  Very nice, and the pro is good.

I did not think the rock was so bad.  There are some loose blocks below the crux roof, but they are easily avoided.  Here and there you might find some suspect flakes, but overall I thought the rock quality was fine, or no worse than many other routes, anyway.  Certainly the rock feels solid anywhere you need it.  Maybe this pitch has cleaned up a bit over time?

From the GT Ledge it seemed clear again where to go for pitch three.  To the left a big roof loomed over us with an obvious shallow corner just above.  The pitch begins with a hand traverse under this roof to a position under the corner.  I was afraid this hand traverse might be a hidden crux, pumpy and difficult, but to my relief it was an easy walk over to the spot beneath the crux.  I plugged in a good cam and looked upward.

I didn't see the piton promised by the guidebook.  (I never did find it.  I presume it is long gone.)  I could see a finger-sized horizontal up there, just beneath the corner.  It looked like I could get a good piece in this crack.  But if I reached way up there I'd be pretty much committed to the roof, as I'd be almost fully horizontal.  I decided the pro looked good so I made the stretch and before I knew it I was fully in it, hanging there at the little horizontal, my tippy toes still on the rock below.  I was really extended out and the pump clock started immediately.  I quickly got a yellow Alien in the slot but I couldn't really see it.  It seemed good.  It needed to be good because it was all I was going to get.

It was time to move.  I'm happy to report that the rest of the crux felt pretty straightforward, and maybe I got a little lucky.  (Marat said I made it look deceptively easy.) I turned my body the correct way and got the sequence just right.  I moved up once, twice and then with the third hold I could get my feet up over the roof and I was in position to place another piece. The very exciting crux was over.  I let out a little whoop and relaxed.

Grim-Ace Face traditionally finished by its own independent line (and you can still see this line drawn in the guidebook), but in the description Dick Williams now suggests you finish after the crux roof by moving a little left to join the final portion of Shockley's Ceiling to the top.  I followed this advice and it is a very nice way to finish, with quality climbing and a nice little 5.6 roof to cap off the whole adventure.

I liked Grim-Ace Face, although I really don't think I would describe it as a three-star classic.  It has its highlights. The second pitch crux is very good and the roof on pitch three is outstanding.  I would not recommend the first pitch unless you are comfortable with a bit of a runout in the 5.7 to 5.8 range.  If you are just breaking into 5.8 I predict the first pitch of Grim-Ace Face will be a very scary lead for you.

I felt good about how it all went.  Even though my pro was sub-optimal on pitch one I kept it together just fine, and then I managed the hardest part of the route without too much difficulty.  It was nice to cruise through what many people seem to consider a testpiece for 5.9.